‘bhaktye’ bhagavānera anubhava-pūrṇa-rūpa
eka-i vigrahe tāṅra ananta svarūpa
Expansion of Kṛṣṇa, that is being described by Lord Caitanya. They are described in different Vedic literatures, and we are getting the information in one place from Lord Caitanya. So that is the advantage, to be in the disciplic succession. To find out in different information from different scriptures, it is very difficult, but if we become in the line of disciplic succession, all the experience is at once achieved. If you want to fight in the law court and if you want to find out all the law sections from the law book, it is very difficult for you. Better to go to a lawyer who knows the law section and take help and it is all right. Similarly, there are different kinds of descriptions of the Supreme Lord. The experienced spiritual master gives us the information in one place.
So about the expansions of Lord Kṛṣṇa, in Brahma-saṁhitā, Īśopaniṣad, and there are various Vedic literatures… They are all taken together, calculated and presented by Lord Caitanya. He says,
svayaṁ-rūpa tad-ekātma-rūpa, āveśa-nāma
prathamei tina-rūpe rahena bhagavān
Svayaṁ-rūpa, the Supreme Personality of Godhead Himself, He is called svayaṁ-rūpa, His personal feature. Then tad-ekātmā. Tad-ekātma-rūpa means not exactly the same person, but almost the same. Tad-ekātma-rūpa. And āveśa. Āveśa means that empowered. There is always difference between the individual soul and the Supreme Absolute Soul. When the individual soul is specially empowered by the Supreme Soul, that is called āveśa. He can act almost like God. We accept, according to this āveśa, āveśa-avatāra incarnation, authorized incarnation, we accept, my Guru Mahārāja accepted Lord Jesus Christ and Hazrat Muhammad, this āveśa incarnation, almost the same power.
svayaṁ-rūpa tad-ekātma-rūpa, āveśa-nāma
prathamei tina-rūpe rahena bhagavān
Now, in the first instance the Supreme Personality of Godhead Himself, and tad-ekātmā, His next expansion with the same features, and āveśa, a powerful incarnation or powerful living entity…
‘svayaṁ-rūpa’ ‘svayaṁ-prakāśa’—dui rūpe sphūrti
svayaṁ-rūpe-eka ‘kṛṣṇa’ vraje gopa-mūrti
Svayaṁ-rūpa, the supreme personal feature, and svayaṁ-prakāśa… His immediate expansion is called svayaṁ-prakāśa.
So in His svayaṁ-rūpa, in His personal feature, He always remains at Vṛndāvana, and He is just like a cowherd boy. That is His real feature, Kṛṣṇa. The Kṛṣṇa in the battlefield of Kurukṣetra, that is not the real feature of Kṛṣṇa. Just like a person, high-court judge, where you will find his real feature? His real feature you will find at his home, not on the bench. In the bench, even his father comes, the high-court judge’s father, he will have to address the judge, “My lord.” That is the court. The same person at home and same person in the court is different, although the same person. Similarly, the real Personality of Godhead, Kṛṣṇa, He never goes out of Vṛndāvana. He remains always a cowherd boy. That’s all. Cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-lakṣāvṛteṣu surabhīr abhipālayantam [Bs. 5.29]. Surabhī means transcendental cows. He is engaged in that pastime. So svayaṁ-rūpa eka kṛṣṇa vraje gopa-mūrti. Gopa-mūrti means cowherd boy.
‘prābhava-vaibhava’-rūpe dvividha prakāśe
eka-vapu bahu rūpa yaiche haila rāse
Then prakāśa, expansion. From expansion, there are two kinds of division, prābhava and vaibhava. So prābhava, what is the prābhava expansion? It is given: eka-vapu bahu rūpa yaiche haila. Prābhava expansion means the same feature, the same body, but it is distributed in innumerable places. That is called prābhava expansion. The example is, eka-vapu bahu rūpa yaiche haila rāse. In the rāsa dance, Kṛṣṇa performed the rāsa dance, not exactly the ball dance… But it is an imitation of that rāsa dance. Because you cannot have any idea of anything without its being originally in Kṛṣṇa. Janmādy asya yataḥ [SB 1.1.1]. That is the version of Vedānta-sūtra. Any idea, whatever you… But they are simply perverted reflection. That’s all. You cannot get anything, any idea, without its being situated in Kṛṣṇa. The rāsa dance, that is described in the Thirty-second Chapter of the Tenth Canto in Śrīmad-Bhāgavatam. Five chapters, from Twenty-ninth Chapter to Thirty-fourth Chapter, Kṛṣṇa’s rāsa dance is described there. The rāsa dance… The short history of rāsa dance is that Kṛṣṇa was sixteen years old, and the girls of the village, Vṛndāvana, and the boys, they were all friends. Naturally in India the girls were early married, some at the age of twelve years, some at the age of thirteen years, some at the age of ten years. The boys remain… So the girls who were friends of Kṛṣṇa, they always prayed to different demigods, Lord Śiva, that “Kṛṣṇa may be our husband.” So that desire was there, but it was not possible to get Kṛṣṇa to become everyone’s…, because He was only a boy. But they maintained that idea although they were married and some of them were mothers. Some of them were unmarried. So Kṛṣṇa, to fulfill their desire, He blew on His flute on a nice moonlight night, and all the gopīs, all those girls, they came. And Kṛṣṇa advised them, “Oh, you are now married. You have come at dead of night to Me. It is not good.” In this way He advised so many things. They were very moral instruction. But the gopīs denied to go back, and they arranged that dancing. That is called rāsa dance.
In the rāsa dance there were hundreds of gopīs, but Kṛṣṇa expanded Himself to dance with each one of them. That is called vaibhava-vilāsa. He expanded.
‘prābhava-vaibhava’-rūpe dvividha prakāśe
eka-vapu bahu rūpa yaiche haila rāse
The same Kṛṣṇa, I mean to say, expanded Himself in many Kṛṣṇas. That is expansion, vaibhava expansion. Another expansion is,
mahiṣī-vivāhe haila bahu-vidha mūrti
‘prābhava prakāśa’-ei śāstra-parasiddhi
So one expansion is vaibhava at Vṛndāvana, and another expansion was made by Kṛṣṇa at Dvārakā when He was grown up and He was obliged to marry sixteen thousand wives, sixteen thousand wives. He had actually… Because the kṣatriyas, the administrator, the royal family, royal class, they are allowed to marry more than one wife, not other class. Because they were rich, they were royal, kingly order, they had sufficient means. They could maintain many wives with the same comforts. So they were allowed; not others, not the poor brāhmaṇas or others. No. So Kṛṣṇa’s father had sixteen wives, and one of the wives’ name was Devakī, and Kṛṣṇa happened to be her son, Devakī. Otherwise, Kṛṣṇa’s father, Vasudeva, had sixteen wives. He was also Kṛṣṇa. So Kṛṣṇa similarly had three or four wives, eight wives, yes. But He got information, prayer, application, prayer application, from sixteen thousand girls who were kidnapped by a demon, Narakāsura. And they sent application to Kṛṣṇa, “Please save us.” So Kṛṣṇa is always responsive to His devotee, so He went to save the girls. He killed that Narakāsura and rescued those all sixteen thousand girls.
Now those sixteen thousand girls prayed to Kṛṣṇa that “We are kidnapped.” They were all king’s daughters. They were also all princesses. “But because we are kidnapped, so nobody will marry us.” That is the system. Once a girl goes out of the home, it is very difficult for her to be married in the society. Still that system is going on in India. Unmarried girls, young girls, they cannot go out unless she is married. If she goes out and if she passes some night with other boys, then no more place in the society. So those girls prayed to Kṛṣṇa that “Because we are kidnapped by this Narakāsura from our father’s custody, now nobody will marry. So You become our husband. Otherwise there is no other way.” So they appealed, they cried, and Kṛṣṇa accepted: “Yes. I will accept you all, My wives.” Therefore He brought those sixteen thousand girls. But what kind of husband? He is God, not an ordinary husband. So He constructed sixteen thousand palaces for all the wives and equally all decorated houses. They are described that the houses did not require any external light. It was all bedecked with jewels. And in sixteen thousand forms He used to live with each wife. That is God. You see?
So somebody may say, somebody questioned that “How is that, sixteen thousand? He was very lusty,” somebody says, poor fund of knowledge. Or “It is simply story.” No. It is… Kṛṣṇa is neither lusty, nor it is story. He is Supreme, full in Himself. He did not require even one wife. Because we require the association of wife or girl because we feel the need, if God is in need, then He is not God. He must be full. But just because His devotees wanted Him her husband, therefore He played the part of a perfect husband. That is the position. Nobody, no husband, can expand himself in many ways. Suppose one has got many girls friend. Oh, he can go to one girl friend, not to many. This is. Another point is that īśvaraḥ sarva-bhūtānāṁ hṛd-deśe arjuna tiṣṭhati: [Bg. 18.61] “The Lord is situated in everyone’s heart.” So if the girls prayed God that “You become our husband,” so if God comes out of the heart and becomes her husband, what is the difficulty for God? So not sixteen thousand, if He would marry sixteen millions of wife, still it was insufficient, because He is everywhere. Īśvaraḥ sarva-bhūtānāṁ hṛd-deśe ‘rjuna tiṣṭhati [Bg. 18.61]. This is called vaibhava-vilāsa, vaibhava-vilāsa, inconceivable. Lord Caitanya is presenting the real, factual features of Kṛṣṇa, what is Kṛṣṇa. So,
mahiṣī-vivahe haila bahu-vidha mūrti
prābhava vilāsa ei śāstra-parasiddhi
Now, the yogis, some of the yogis, not all the yogis… Those who are highly qualified and advanced yogis always remain in… There is a name of Saubhari Muni, Ṛṣi, and he was in meditation, in trance within the water. Because the trance, there is no breathing, so there is no difficulty to remain even in water, because breathing causes difficulty within water. Within goes… So he was in trance, and he was a great yogi. He was meditating within water, but he… Some way or other, he was agitated by sex desire, by seeing the fish have sex intercourse. Just see. The sex power is so strong that even such a yogi who could meditate within the water, he was also agitated by sex desire. So he came out of the water and went to the king and asked him that “You give me your daughter as my wife.” Oh, he was a great ṛṣi, and because he was in the water, his feature was very ugly. So the king became perplexed: “Oh, how my daughter will select such a nasty body as my son-in-law?” So he was yogi; he could understand: “Then all right…” (snaps fingers) He became very nice. Because yogis, they can do anything, very nice bodily feature. Then the king tried to avoid him, and the king told him, “Well, sir, my determination is I have got eight daughters. So I can offer my daughters to one who can become eight at least.” He wanted to see how much he was yogi. And he bifurcated himself at once into eight forms. So here it is stated,
saubhary-ādi-prāya sei kāya-vyūha naya
kāya-vyūha haile nāradera vismaya nā haya
Because that oneness… Just like in photograph. In photograph you can expand yourself in millions, but that is not actually expansion. So similarly, the yogi Saubhari Ṛṣi, he expanded into eight, but that was not actually expansion. That was merely a show, just like photograph. But Kṛṣṇa’s expansion, here it is compared, He actually expanded in different houses, in different feature, and differently dealing. That is mentioned in the Bhāgavata.
So He is giving evidence from Śrīmad-Bhāgavatam as it was experienced by Nārada. Nārada doubted that “How Kṛṣṇa is married with sixteen thousand wives, and how He is dealing with them?” So when he came, in whichever house he entered, palace, he saw Kṛṣṇa was there. Somewhere He was taking bath, somewhere He was playing with the children, somewhere… Just like if you go in different houses, the householder, you will find differently engaged. So he went each of those sixteen thousand palaces and saw Kṛṣṇa differently engaged. Then he was surprised, and he recited this śloka,
citraṁ bataitad ekena
vapuṣā yugapat pṛthak
striya eka udāvahat
Dvy-aṣṭa-sāhasram. Dvy means double, and aṣṭa means eight, and sāhasra means thousand. That means double eight thousand, or sixteen thousand. Dvy-aṣṭa-sāhasraṁ striya eka udāvahat. And Kṛṣṇa, one, He married, and He was expanded in sixteen thousand forms and features.
sei vapu, sei ākṛti pṛthak yadi bhāse
bhāvāveśa-bhede sa ‘vaibhava-prakāśe’
Now, the feature, the body, is the same, but in different house with different devotees, the exchange of feelings is different. That is called vaibhava-prakāśa. So it is a very complicated idea, which of them is vaibhava, which of them is prābhava, which of them is vilāsa, which of them is tad-ekātmā, āveśa… There are different divisions of Kṛṣṇa’s expansions. But we can note down if we like from original Kṛṣṇa how many, I mean to say, expansions, innumerable expansions Kṛṣṇa has got. But some of them were shown when He was present before us just to prove that He is the Supreme Personality of Godhead, because in future so many fools will imitate to become Kṛṣṇa as the incarnation of God or God, but Kṛṣṇa has in His life so many uncommon features, nobody can show that. Just like Govardhana. You have seen that picture. At seven years old, He lifted the hill. And when He was young He married sixteen thousand wives, and sixteen thousand features… So… And when He was in Battle of Kurukṣetra, He showed the universal form. So before claiming oneself as “I am God,” they should be prepared to show these uncommon features. Otherwise, no sane man will accept any fool as God.
ananta prakāśe kṛṣṇera nāhi mūrti-bheda
Then He says, “There are unlimited expansions of Kṛṣṇa in the spiritual world, and…” Nāhi mūrti-bheda. Just like His expansions in the spiritual world… He is originally two-handed, but in the spiritual planets… There are innumerable spiritual planets, and He is situated in each of them in four hand. Now this four hand, each hand… There are four symbols: conchshell and wheel and club and a lotus flower. Now, these four symbols are differently manifested in. Just like four hands. Beginning from right, this is lotus flower, club, and then conchshell, then wheel. And some of them, here begins wheel, here begins club. In this way the four has about sixteen divisions, and they are represented… Not sixteen. Twenty-four. Twenty-four, I mean to say, change of the place of the symbols. And according to the change of symbols, you will find different names. In the cover of the book Śrīmad-Bhāgavatam, you have seen. These symbols are there. And there are different names. Some of Them named Hṛṣīkeśa, some of Them named Pradyumna, Aniruddha, Vāsudeva, Saṅkarṣaṇa, Padmanābha… In this way there are different names according to the different change of the symbolic representation.
anye ca saṁskṛtātmāno
yajanti tvan-mayās tvāṁ vai
So there are different kinds of devotees also. Some devotee worships the Nārāyaṇa feature, some devotee worships Kṛṣṇa feature, Nṛsiṁhadeva… So there are innumerable devotees and innumerable forms also of Kṛṣṇa. But not these ordinary demigods. When Kṛṣṇa says, ye yathā māṁ prapadyante tāṁs tathaiva bhajāmy aham: [Bg. 4.11] “Any devotee who wants to worship Me in My different feature, I offer him in that feature…” Just like Hanumān. He was a devotee of Rāma. So there is one verse by Hanumān, that “I know Rāma and Nṛsiṁha and Nārāyaṇa, Kṛṣṇa, is the same. But still, I want to worship Rāma.” Just like we, ourself, we know Lord Rāma and Lord Kṛṣṇa the same, but we want to worship Kṛṣṇa. So different devotees have different inclination to offer his service to different features of God. And therefore He has got innumerable features of the presentation. They are differently named.
Thank you very much. (end)